Most singers spend a whole career chasing one voice. Josh Panda has spent his collecting them.

In one night he'll drop into Jim Morrison's smoke-and-whiskey baritone and then climb up to Freddie Mercury's high tenor — no setup, no gimmick, just a four-octave range and the instinct to know exactly what to do with it.

The Showman isn't a tribute act and it isn't an impression. It's a modern rock singer doing the thing those guys did better than anyone — owning a room — and giving the crowd that feeling back.